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Archive for January, 2010

Tim Tebow’s Crash the Superbowl entry!?

By now you’ve probably heard that CBS has agreed to air a pro-life commercial featuring Heisman troy winner Tim Tebow during the Superbowl next month.  In the ad, Tebow supposedly discusses how his mother got sick on a missionary trip while she was pregnant with him and despite doctor’s advice to get an abortion, she didn’t.  Tebow isn’t shy about his Christianity (see picture left) and he raised the $2.5 million necessary to air the ad during the big game himself.

But 2.5 Million dollars is a lot of money.  So that wasn’t his Plan A.  Apparently, Tebow originally hoped that he could get his message out for free by winning Dortios’ Crash the Superbowl contest.  Check out Tim Tebow’s anti-abortion/pro-dortios entry below!

tebwo1

UCB's embed feature is wonky so click the pic to watch the video

Ok, obviously that’s not real and was produced by the Upright Citizen’s Brigade.  But if you take out all the non-doritos stuff, that would be a really decent Crash the Superbowl entry!  All it needed was some canned classical music and a ninja or a zombie and I would have believed it was a real submission.

Famous Dave’s fan film festival winners

The BBQ restaurant chain and sauce maker Famous Dave’s just announced the winners of their first “Famous Fan Film Festival.”  BBQ lovers were supposed to shoot a short movie parody that incorporated Famous Dave’s in some interesting way.  The grand prize was only $1,000 but I was amazed by the amount of love that went into some of the 30 entries that were received.  Here’s the first place winner:

First Place.  Prize: $1,000

That was neat.  But I the second place entry cracked me up:

Second Place.  Prize: $300 in cash and gift cards

I wish I could grill you!  The guy who delivered the long monologue deserves an extra gift card just for remembering all his lines.  You know what, I think I’ll post the third place entry too.  It’s worth watching simply because the girl playing Mrs. Robinson is hotter than…hold on, let me check the famous dave’s website for a metaphor….Got it, she’s hotter than a full bottle of Devil’s Spit!

Third Place.  $250 in cash and gift cards.

Like I said, even though the prizes in this contest were small, the contestants went all out.  Check out that got an honorable mention.  It was disqualified because videos were supposed to parody a single scene and they did like a whole crazy trailer.  But they, and everyone who entered, got some Famous Dave’s gift cards as a thank you.  So why did so many people put so much work into their entries when only a thousand bucks was at stake?  From the looks of the videos, no pros entered this contest; only real, hardcore Famous Dave’s fans.  Plus the theme of the contest was a great one and probably inspired a lot of people.  Hopefully famous Dave’s will see this contest as a successful test run and do something bigger down the road.

Adweek says: The Crash the Superbowl finalists suck

adweek

I don’t know if this article appeared in the print addition of Adweek magazine or just on the website.  But I do know the author of the piece, Barbara Lippert pretty much thinks Doritos’ Crash the superbowl finalists and most User-generated content, suck hard.  Here’s a taste of the article:

“I’ve just looked at the six finalists in Doritos’ “Crash the Super Bowl” contest, and before going any further, I’d like to ask: Do I really have to pick one?  Chosen from more than 4,000 entries by Doritos marketing people and agency Goodby, Silverstein & Partners, among others, these six really are that bad. Basically, the choices boil down to how you like your main character — smacked, zapped, bloodied or strangled. Oh, there’s also a fat slob who’s voluntarily been buried alive in a coffin full of Doritos. Hey, even Homer Simpson didn’t think of that one!” (lol, but I did!- Beardy)

“There’s no use bemoaning the uniformity of lame ideas here. Cheap production budgets produce cheap laughs. (And obviously, particularly since the advent of YouTube, the American public has been fed a steady diet of violent and dumb video jokes over the years.) The end product, the Super Bowl spots, are the Oreos atop the cake, the icing on the salty snack.”

Well shit lady, tell us what you really think!  Obviously, a lot of people think the Crash the Superbowl finalists this year are kinda on the lame side.  But the author of the adweek article uses the crappiness of some of the Doritos videos as proof that we little guys can never match the brilliant work that Madison avenue cranks out.  She says….

“Here, in a nutshell, is why we need real newspapers, not just bloggers, and real ad agencies, not just amateurs trying it at home. Depth. If Apple’s “1984″ were made by these people, you could forget about allusions to a famous book (what?) or political philosophy (huh?). The sledgehammer would hit Big Brother in the balls.”

If Apple were to put up 5 million in prizes for  “deep” Superbowl commercials you know what would happen?  They’d get 4,000 entries and I bet at least 6 of them would be hella’ deep.  But we’re talking about a contest held by a chip company, aren’t we?  There’s not a lot of room for depth now is there.  Just think, have you ever seen a “professionally” made Doritos commercial that was deep?  Plus, comparing a legendary, 26 year old,  Superbowl commercial with 6 user-generated ads from 2010 is a little unfair.  If the author wanted her comparison to be more appropriate, she would compare this batch of finalist entries to commercials that ran during the most recent Superbowl.  Like maybe that where the girl gets pigeons to attack (and presumably poop on) a loudmouth on a cell phone.  Or maybe that features a girl stopping just short of getting naked and then implying you can see the uncensored version of the ad on the Godaddy website.  Yep….pure class.  We amateurs should be ashamed of ourselves.

At least the author is willing to admit that last year’s winner, wasn’t as terrible as this year’s finalists.  She says “Compared to this year’s crop, that ad was positively Bergman-esque.”  Then she goes on to bash specific finalists:

“Most of the credit for this year’s ideas should go to Mo, Larry, Curley & Associates. There’s yet another entry involving a vending machine, and one with a dog who puts his no-bark collar on a cruel human. The faux corpse munching on chips in his coffin is an insult to people who value a Christian funeral, never mind an affront to sexy, non-slobby vampires everywhere.”

You really should check out the whole article.  It’s brimming with disdain for “user-generated content.”  Here it is:  CHIPS OFF THE OLD BLOCK.

The comments from people that obviously make their living creating commercials are pretty harsh too.  Last week, I encouraged VCN readers to support and vote for the Crash the Superbowl finalist that I though had the best chance of scoring in the Top 3 in the ad meter.  (Underdog)  It’s not so much that I am worried how Doritos will look if they have to air 3, kinda lame ads, but I’m worried that we, the amateurs, the content-creating users, the freelances and the little guys will look like we weren’t able to step up and create top notch material even when 5 million bucks is on the line.

Did Doritos do a great job picking their 6 finalists this year?  No.  Will marketing people watch the 3 CTSB commercials that air during the superbowl and assume that Doritos picked bad ads?  No.  They will simply assume that the 3 ads that air are the best of the best.  They must be, they made it to the Superbowl, didn’t they?

And that’s what frustrates me.  The more successful the Crash the Superbowl campaign is, the more imitation contests will spring up this year.  Most of us will never win a big-money contest like CTSB, be we sure as heck have a good chance at winning smaller contests.  And the reason there are so many of those smaller contests happening these days is because Doritos showed that when given a chance, we the viewers could deliver awesome content.

But what is Doritos showing the world we can do this year?  If YOU weren’t impressed by this year’s crop of CTSB finalists, imagine how people in the ad industry (the ones who might want to do similar contests of their own someday) will react to the selected ads.  Oh…I guess you don’t have to imagine.  Just read the Adweek article.

Careerbuilder’s re-made “Hire My TV ad” superbowl commercials

Hey, do you remember the OTHER Superbowl commercial contest that was looking for entries last year?  You know, the weirdly named, “Hire My Tv Ad” contest sponsored by Careerbuilder?  For that one you were supposed to film an idea for a commercial and Careerbuilder would pick one they liked, re-shoot it professionally and then air it during the Superbowl.  Guess they didn’t have enough faith in we non-pros to promise to put something we shot in front of 100 million people.  Of course, they only offered one, $100,000 prize compared to the Doritos contest which offered a potential, max prize of 2 million bucks.  So filmmakers didn’t go “all-in” for this contest like they did for Crash the Superbowl.

“Hire my TV Ad” was a very strangely run contest.  After what seemed like forever, Careerbuilder announced they had picked THREE winners.  But I get the impression that only the ad that airs during the Superbowl will receive the cash.  The re-shot versions of the selected entries have just appeared on line.  Here are the three winning entries and their three professional remakes:

CASUAL FRIDAY: Original

CASUAL FRIDAY: Remake

JOB FAIRY: Original

JOB FAIRY: Remake

Exactly which ad is supposed to air on Superbowl Sunday is supposed to be a mystery.  But the contest site explains that the third ad has been deemed “Too Hot For TV.”

WORST SEAT: Original

WORST SEAT: Remake

All I can say is, Damn you Janet Jackson!  You and your wayward nipple have made the networks way to anal about what they show.  A flaming fart is PG-13 at worst.

Anyway, these are all kinda “meh.”  Just like the re-shot Taxlsayer commercial I wrote about on Wednesday, the original versions all have more heart that the slick re-makes.  The flaming fart one is actually FUNNIER than the remake and it looks nice enough to air.

The Hire My TV ad contest has a lot of potential and I hope Careerbuilder brings it back next year.  But I’d suggest they raise the prize and offer to air the winning ad as-is.  This re-shoot business is kind of a buzz kill.

Re-made Taxslayer.com winners start airing

Last spring, Taxslayer.com befuddled many a video contestant when they awarded first place and $25,000 in their annual Taxslayer commercial contest to frequent contest winner, HappyJoel Levinson. Here’s his winning entry:

Winner, 2009 Taxlsayer commercial contest. Prize: $25,000

The other contestants were befuddled because well….that’s a really weird video! It’s funny but obviously it wasn’t something taxslayer could actually put on tv. And that’s why so many of the other contestants were confused. The year before, Taxslayer aired the winning entry as-is. () So contestants assumed that Taxslayer would be doing that again and many of them sunk a lot of time, money and production values into their submissions.  I actually entered this contest and it was my first video contest loss. (winning was pretty easy back in 2007 and 2008.) In the days after Happyjoel’s video was picked I followed the reaction and let me tell you, people were PISSED. I’ve seen a lot of angry youtube comments in my day but damn, the other contestants flipped the fuck out.

Taxslayer explained that what they liked about Happyjoel’s video was the idea and they weren’t actually going to air the commercial. Instead, they were going to have professionals re-shoot it. I only spent about 80 bucks on my entry but I remember some really slick submissions. (here’s I was positive was going to win) If Taxslayer had let everyone know they were looking for “ideas” and not ready-for-tv ads, they would have saved a lot of filmmakers a lot of money.

Fast forward to tax season 2010. Happyjoel’s re-made video has finally hit the airwaves:

I’m glad that happyjoel actually got to play the part he created in his contest entry. But you know what? I think I prefer the original version. The (somewhat) fancy re-make is a bit stiff and the orginal was watchable because of how super weird it was.

Speaking of super weird, Taxslayer apparently decided to re-shoot a second entry from the 2009 contest. Here’s the re-make:

Yeah…that was pretty lame. But the weirdness deepens. Check out the entry that commercial was based on:

The orginal was funnier and more interesting than the remake! Whoever posted the re-shot version to youtube added this note: “Tax Slayer 60 second spot. This commercial was derived from contest creative. The spot was toned down to not look like an abduction, but rather a spoiled brat not wanting to conform.”

I cannot for the life of me figure out why Taxslayer chose that ad to remake or why they turned it into something that was thoroughly not funny.  Whoever wrote that remake forgot the oldest rule in comedy; abduction victims are way more hilarious than spoiled brats.

Snickers and Bounce results

If there’s one thing I love, it’s candy. And I’d say my 5th favorite candy bar out there is the Snickers bar. Two weeks ago I would have ranked it my 7th favorite candy bar (after Hershey’s Symphony bar but before the Heath bar) but Snickers earned itself a bump in my candy ranking last week when they purchased $15,000 worth of commercials (3) that were made by Poptent users. Here’s my favorite of the three selected ads:

Purchased by Snickers. Price: $5,000

Heh heh. Nice. And if you read the “creative brief” that Snickers worked up for this assignment, you’ll see that the team who made the above video really nailed the “guys being guys” theme Snickers was looking for. You can see the other two ads that Snickers purchased for $5K a piece here.

But that ain’t all. Last week, Bounce also bought $10,000 worth of ads for their Bounce Dryer bars (2) created by Poptent users. The deadline for the Snickers assignment was in December but the Bounce deadline was way back in September. Man, what the heck took them so long to pick 2 videos? That procrastination is one reason the Bounce Dryer bar doesn’t even crack my top 10 favorite candy bars. Also, they taste like lint. Here’s one of the selected Bounce ads:

Purchased by Bounce. Price: $5,000

You can see the other ad that Bounce purchased for $5K as well as several amusing editor’s choice winners here.

Crash the Superbowl: Ad Meter Predictions

A few posts back I said I’d be reviewing all 6 of Doritos’s Crash the Superbowl finalists.  Well, after discovering a free graph making program on-line where you can make the points look like little Doritos, I’ve decided to do something way geekier.  Instead of doing straight reviews, I’m going to throw some hardcore graph action in your face and try to predict how each commercial might score on the real USA Today Ad Meter.

These graphs won’t show my personal opinions.  Rather, they will show what I expect the average opinions of everyone in the USA Today focus group might be.  If you missed our explanation the other day about how the USA Today Superbowl ad meter works, check it out here. Remember, USA Today’s focus groups include people from all walks of life.  So no matter how much 90% of the group likes a certain ad, there will always be at least a few people who dislike it.

Predicting how a commercial will score on the Ad Meter isn’t actually that tough.  The moments that people will score highly are easy to identify.  So even if the scores on these graphs don’t match what the real scores would look like, the peaks and valleys will appear in the same places.  So here we go.  I’ll put the ads in order of best scoring to worst:


1.  UNDERDOG.  PREDICTED SCORE:  8.19

SUMMARY:  The guys who made this spot knew what they were doing.  It’s essentially designed to score well in the Ad Meter.  EVERYONE loves dogs and EVERYONE hates jerks that are mean to dogs.  And history is on the side of this video.  Remember that Budweiser commercial where the dog trains the Clydesdale, Rocky-style?  That scored 1st on the ad meter in 2008.  Like I said, everyone loves dogs.  Plus, the cuteness and comedy in this ad start early which means which means viewers will “like it” for longer. Based on last year’s ad meter results, a score of 8.19 would get Underdog into the Top 3.


2. SNACK ATTACK SAMURAI.  PREDICTED SCORE: 7.46

SUMMARY:  This spot isn’t the most original submission I’ve seen but I bet it will make a lot of people smile.  It’s got kind a kooky vibe that I think viewers will find appealing, even if they don’t know why.  It LOOKS funny and FEELS funny, so even if it’s not actually super hilarious, I think it will score decently.


3. KIDS THESE DAYS.  PREDICTED SCORE: 7.15

SUMMARY:  Since a commercial’s final ad meter score is an average of how every second of the ad scored, Kids These Days probably won’t fair too well since it takes a while for the comedy to start.  But the main gag is a strong, likable one.  After Mr. Popped Collar gets shocked, I’m guessing viewers will keep their dials turned up as a retro-active sign of appreciation.


4.  THE SMACKOUT.  PREDICTED SCORE: 7.02

SUMMARY:  This spot was perfectly cast.  Unfortunately, it wasn’t perfectly shot.  The color is just plain messed up.  I like this story and think it was very well acted but it looks bad at times and I think that will be a turn off to viewers.  The use of cleavage was also a little gratuitous and I suspect a lot of women will punish this ad by keeping the score a little lower than is reasonable.  The slapstick is funny but not really Superbowl funny and I don’t think many viewers will be extremely impressed.


5. CASKET. PREDICTED SCORE: 6.85

SUMMARY: This is the best looking of all the CTSB finalists but all the other commercials airing during the superbowl will look as good as “Casket” or better. So production values won’t get them much ad meter juice. (Though I think the pretty church setting might result in an initial spike) This video has two things going against it; One, the protagonist’s plan is cruel and feels like a weak excuse for the guy to be in the casket and two, I think the “dead” man was miscast. Much of this commercial’s comedy comes from looks on the “dead” man’s face. I think the actor that was cast is simply annoying looking and I bet a lot of viewers would agree with me.


6. HOUSE RULES.  PREDICTED SCORE: 6.29

graph(5)

SUMMARY:  My gut reaction to this spot is that I like it.  But unfortunately, because of the way it’s set up, it’s doomed to perform poorly on the ad meter.  The graph tells the whole story.  A whopping 22 seconds go by before the real comedy starts.  That’s an eternity for a Superbowl commercial.  I think that not only will viewers not start scoring the commercial positively until the action starts, I think some may even start scoring it negatively if they start getting bored.

When you look at each ad charted out like this, you kind of have to wonder why Doritos picked some of these ads for the finals. I mean, I was able to whip up these graphs in like an hour. Millions and millions of dollars are at stake in the Crash the Superbowl contest so it seems hard to believe that Doritos wouldn’t have somebody analyze each finalist’s chances in the Ad meter.  Last year, a commercial needed to score at least a 7.49 just to make the top 10. So if Doritos did graph these out, then they already know that several of these videos just have zero chance of scoring “in the money.”  Hmmm, could it be that’s what they’re counting on?

So, how does the USA TODAY Ad meter work?

admeterdial

I get the dial, but what's the pen for?

Yesterday I explained that the best way to ensure that Doritos will bring the Crash the Superbowl contest back next year is to help get the videos most likely to do well on the USA Today ad meter to air during the game. If ads that are doomed to flop make it to air, no CTSB ads will place “in the money” and Doritos might decide the contest isn’t worth the trouble and expense anymore. But if Doritos pulls off another high-profile ad-meter win like they did with “Free Doritos” last year, the company would probably want to stick with what was working for them. As long as just one CTSB entry makes the Top 3, that will be big news and result in lots of free publicity.

And this wouldn’t just be good news for people who are hoping for another shot at Doritos’ prize money. It would be great news for anyone who’s out there making money in online video contests. Video contests were few and far between just 2 years ago but the success of the Crash the Superbowl contest has inspired tons of other companies to hold their own user-generated content competitions. So the better Dortios does in during the superbowl, the more smaller video contests will spring up later this year.

Over the next week or so, we will be reviewing each of the 6 Finalists and analyzing their chances on the ad meter. (If you look to the right of your screen though, you will see that we already recommend that you vote for UNDERDOG since it’s the entry most likely to crack the Top 3.) But before we start, it’s important to quickly explain how the USA Today ad meter works….

Every year, USA Today gathers approximately 300 random Americans of all types to rate Superbowl ads. This is done in 2 locations in different states. These 300 or so people watch the Superbowl commercials with little dials in their hands. When the viewers see something the like, they turn the dial to the right. When they see something the don’t like, they turn it to the left. The more they like or don’t like something, the farther they turn the dial.

A number system is used to give each video a score. When a commercial starts, everyone’s dial is set to “neutral.”  Data from the dial is recorded for the entire duration of a commercial. The scores for each individual’s dial are averaged out to one number for each ad. Then, all those average scores from all those dials are averaged out to give one, official score. After the game, those scores are tabulated and the ads are ranked by USA Today. Here’s USA Today’s list of the Top 10 ranked ads from last year.

So as you’ll see, last year, the Crash the Superbowl ad made the top spot with a score of 8.46 and the 2nd and 3rd place ads also had scores over 8.0. So in our analysis, “8.0” is our magic number. If an ad isn’t likely to score higher than 8.0, it probably doesn’t have a shot at making the top 3.


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