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Archive for March, 2011

Interview with Poptent’s super-salesman, “Bisbinetts”

poptent.net

Joe AKA Bisbinetts and the star of his Bounty submission

Poptent has really kicked it into overdrive in the last few months.  Last spring the site was running maybe 3 or 4 video assignments at a time but currently they have 8 assignments up and running.  And I’ve noticed that as soon as one assignment closes, another one soon pops up.  The number of videos purchased per assignment keeps going up too.  Last week Poptent announced that Sprite bought  4 videos for $5,000 each and one for $10,000.  Also, a lot of the “brands” that run these assignments have started buying more videos then they were obligated to.  For instance, just today Poptent announced that Pringles bought 5 videos for $7,500 each.  Originally they had only committed themselves to buy one.

So with all these assignments going on and with the increase in the number of purchases per assignment, there are a whole lot more chances for filmmakers to make money.  And recently I’ve noticed that a few of the more talented members of the site seem to really be cashing in by making multiple sales one after another.

The king of these new Poptent super-sellers goes by the screen name “Bisbinetts.”  This single member has sold a total of 8 videos through Poptent.  (4/1/11 UPDATE: Make that 9 sales!  Poptent just announced that Mr. Bisbinetts just sold an ad to Triaminic for $7,500.)  Now, I won’t tell you exactly how much he’s made but his earliest videos earned him $3,500 and his latest ones sold for $7,500.  So you do the math….and then curl up into a jealous little ball and have a good cry.  But then get over it because not everyone can be “Bisbinetts!”  In fact, even “Bisbinetts” isn’t really “Bisbinetts.”  So who is the lucky filmmaker behind the screen name?  Well….let’s find out:

VCN:  Poptent users pretty much only know each other as a screen name and a tiny photo. So who the heck are you? Where are you from? What’s your story?

JOE:  They say it’s not the size of the photo that matters, it’s how you frame it. My name is Joe. My story begins in the early 80s with my birth. This is where the details get pretty hazy. I’m almost positive I studied finance at Georgetown and worked in the insurance business for a couple years after that. I knew I wasn’t doing that shit for the rest of my life. So I quit. Then I took my savings and blew it on incredible journeys to Alaska and Europe. I had just enough left for an 8 week intensive directing program at the New York Film Academy (the one in NY). That was a blast! I learned some stuff, but mostly it just got the creative juices flowing again. I also met some great friends, including my current production partner and “PopStar” RJ75, who pretty much sells everything he makes. So, after the NYFA, I left the east coast for sunny LA as people tend to do when pursuing such a career as filmmaking. Since being out in LA, I’ve made a few shorts, a feature and a shit load of commercials. It’s been a great ride so far…

VCN:  How and when did you first discover Poptent and why did you sign up?

JOE:  A couple years ago I started poking around the web and found a few online video contests. I wasn’t into making commercials yet, but thought I would give it a try. I came across Poptent when they were XLNTads and they were running a Bud Light competition. I thought that was sweet and dove in.

VCN:  How long was it until you made your first sale?

JOE:  I never really struck gold before Poptent. I entered a solid handful of other contests before I won anything. I did manage to collect a wonderful assortment of consolation prizes – a model truck, a cutting board, a bag of pistachios, a shirt. Exciting stuff. I actually thought I was going to sell my first Poptent submission for Bud Light. It kicked ass. Bud Light got cold feet though. I finally made my first Poptent sale with Coors Light (eat it Bud Light), which was about the 5th competition I entered through Poptent.

Purchased by Coors Light. Price: $3,500



Also Purchased by Coors Light. Price: $3,500

VCN:  So which Poptent assignments have you won? And which sale are you proudest of?

JOE:  I have been lucky enough to nail a handful of these. I sold a couple ads to Coors Light along with eHealth, Nokia, Crystal Light, Harrahs, New York Life and Trident. I’m definitely proudest of my most recent win with Trident. It was my first foray into the rap video realm and I worked really hard putting all the pieces together. And it was a blast to shoot that!

Purchased by Trident. Price: $7,500

VCN:  Do you have a strategy when it comes to making poptent submissions? Or to put it another way, what’s your secret?

JOE:  A crowdsourcer never reveals his secrets. Ha, I wish I had a formula. I don’t really have a specific strategy. I make sure to read the creative brief a few times over to see exactly what the brand is looking for. Then I see if I can make something interesting and/or funny. Then I make it.

VCN:  In the three years you’ve been a member of Poptent you’ve submitted 44 videos to assignments. How much of your time is spent working on Poptent-related projects?

JOE:  Actually, Beardy, its 49. Some of my videos are private and hands-off.. In the beginning, Poptent wasn’t pumping out a lot of assignments. So I wasn’t really involved too much. It wasn’t until about a year ago that the company really started picking up. It was also around this time I was getting more and more into making commercials. So it worked out well. I needed spots for my reel (and money) and Poptent provided great opportunities for that. Nowadays, my involvement changes month to month. I do a lot of freelance creative work so when time allows I’ll pop onto Poptent and see what’s happening. Usually I’ll end up making a couple spots a month.

Purchased by New York Life. Price: $7,500.

VCN:  HOW do you create your submissions? By that I mean, what is your process?

JOE:  The HOW really varies from submission to submission. Sometimes I do it all myself and sometimes I get some help. I do have a great group of creative friends to bounce ideas off. As mentioned earlier, RJ is really the other half of our production team. We are a tireless two man crew either working on his spots or mine. Usually, I decide to participate in an assignment a week or so before it’s due. Instead of casting, I rely on my regular group of actor friends to step in (I’ll even use myself in a pinch). I know what I’m gonna get, I can keep costs down and it makes for a great time when we shoot!

VCN:  What kind of camera do you shoot with?

JOE:  I used to shoot with the HVX-200.  Great camera, great colors, but no cinematic depth of field.  I bought a Nikon D7000 (comparably to the Canon 7D) over x-mas which is what I used to shoot my last 3-4 spots (including Trident).  Great little DSLR.

VCN:  Have you ever submitted a video that you were sure was going to get purchased but it didn’t?

JOE:  All of them? No, I usually feel good about my submissions, but there are some I know don’t really have a shot. However, there have been a few that left me stunned when they weren’t purchased. I still consider “C’est La Dude” to be some of my finest work and Bud Light chose to ignore it. I also thought my Snickers and Monograms submissions were the best of the bunch. And of course my Old Spice ad which came 6 months or more before Isaiah Mustafa took the world by storm.

NOT purchased by Snickers. Beardy’s Note: Wow! Um…I think this ad seriously could have been Old Spice’s secret inspiration for the Mustafa “Hello Ladies..” ads!

VCN:  If you don’t mind me asking, what have you been doing with the money you’ve been making??

JOE:  Winning. I got a great deal on a 100 quarts of tiger blood. It will be worth more than gold in a few years. Mark my words. I finally started paying off my credit card debts too. And I bought a computer. Now I’m broke again. Come on Zatarains – 1 in 17 chance!

Purchased by Triaminic. Price: $7,500.

VCN:  What is it you like best about Poptent?

JOE:  The Medals. If I ever feel down, I can just check out my page and see all of my accolades. I’m just two medals away from becoming the greatest commercial producer of all-time. Ok, I’m not that self-absorbed. Poptent is great for many reasons, but the best part is the community. They have a wonderful staff made up of human beings with real faces that actually interact with you. Then there’s the countless number of creators who provide feedback and with whom you can connect with and work with if you so desire. It’s very cool.

Joe and RJ spend some of their winnings at the track

VCN:  The Poptent staff seems pretty open to making changes based on the suggestions of users. So if there was one thing you could change about the site, what would it be?

JOE:  Get those rates up. From my vantage point, Poptent is leading the charge in this industry. I’ve dabbled elsewhere but have yet to come across a model like Poptent that drives real brands that we’ve all heard of. Poptent is setting the standard. $5k shouldn’t even be on the table anymore. These giant brands have budgets dipping into 6 figures. They snicker when they learn they can get a national TV ad made for $10k or less. It’s a tough call for Poptent because they get their slice either way, but at this point we shouldn’t be seeing anything less than a $15k purse per video.

VCN:  What are your future plans?

JOE:  Good question. I think I’m gonna go get a sandwich. And make a children’s film.


Vote for Beardy in the “Success Yearbook” contest!

When it comes to entering video contests, I am the king of procrastinators. I’ve known about the “Success Yearbook” video contest being sponsored by Universitydecisions.com for three months now but I waited until the last week to shoot my entry. Votes are part of a video’s final score and the dealine to vote is March 31st at 11:59PM!!! So I need to hustle and get a few votes up on the board while I still can!  If you have 7 seconds to spare, I’d greatly appreciate it if you voted for my submission.

To vote, all you gotta do is follow this link:  Success-yearbook/Profile/Dlamx76

Then click the vote button and fill in the Captcha that pops up.  That’s it!

Look! It's Beardy with and without a beard!! Click the image to vote!

For this contest, I had to create a video describing a college “success story.”  Basically you’re supposed to explain how going to college helped you succeed in life.  But I thought I’d swing for the fences and do a Top 10 list of ways college made my life better.  I would absolutely lose my mind (with happiness) if I won this contest.  The prize is up to $10,000 to pay off the winner’s student loans.  I’ll tell you, if I could obliterate my student loan by winning this contest it would be one of the sweetest victories of my life.  So please, help a guy out and cast your vote before time runs out.  THANKS!!

Zooppa’s WhoopAss winners

Holy crap! Check out this amazing video that took first place in the Whoopass video contest:

First Place Winner.  Prize:  $2,500 + a case of Whoopass

That’s incredibly professional!  And the Whoopass drinker even takes on a robotic Red Bull…get it!  The increasing quality of video contest entries is really amazing.  I mean, this video is easily TV-quality.  But look at how much it won!  Only $2,500??  In total Whoopass awarded $5,000 in prizes which frankly, isn’t very much.  Video Contest filmmakers are consistently producing increasingly better work.  So why are some companies still putting up such small prizes?

You can see all the Whoopass winners here:  http://zooppa.com/contests/whoopass#/awards

DSLR FRIDAY: Viva la Spiderbrace

You know what a DSLR is, right? Of course you do. So how about I skip the long-winded introduction where I explain that “DSLR” stands for Digital Single-Lens Reflex camera and that their low cost and amazing HD video quality has changed the game of filmmaking and yadda, yadda, yadda. All that really needs to be said is that in the last year, DSLRs have come to dominate the video contest scene.  For less than a thousand dollars you can get a camera that will give you HD video that can pass for professional quality. And if you buy some really big ass lenses and do a few hacks to your camera you can create yourself a movie-making machine.  Everyone is using these and some people are making tens or even hundreds of thousands of dollars from contest entries shot with cameras like the 5D, 7D or T2i.

It’s been nearly a year since I bought my DSLR, which happens to be a canon T2i. The picture quality is great but damn, it is hard to use. I literally just got the hang of it like 4 months ago. Since the T2i’s instruction manual only devotes a few pages on how to use the camera as a video camera, the Internet has been an invaluable source of information and tips.  In the last few months, more and more people have been asking me in person or via this site for help with DSLR related issues.  So it finally hit me that now that I know a thing or two about DSLR filmmaking, maybe I should give back to the Internet and occasionally post some tips of my own.

So that’s what this is!  Starting today we’re introducing a new feature on Video Contest News; DSLR FRIDAY!  Every other friday I’ll be posting a quick tip or trick related to making movies with cameras that were originally designed to take still photos.  Since this is the inaugural post I thought I’d start by introducing you guys to the one piece of equipment that every DSLR filmmaker should own; THE SPIDERBRACE!

Don't be scared, it's not made of actual spiders

I’ve been making videos long enough to remember back when high-end video cameras were so big you had to mount them on your shoulder.  But those giant cameras were replaced overnight by mini-DV cameras.  Those little things were really hard to manage though since you couldn’t mount it on your shoulder.

Back in 2007 I was in Las Vegas shooting a documentary and I had hired a local cameraman to get some extra footage for me.  He showed up at the first event with a bizarre looking device stuck to his DVX-100b.  As soon as I saw it I knew it was the answer to my (metaphorical) prayers.  He told me it was called a spiderbrace and that it was one of the best pieces of equipment he had ever owned.  I ran (flew) home, jumped on the Internet and ordered my own Spiderbrace.  Right now they are $69.95 but I think I paid 100 bucks for it two years ago.  Even though the thing is just some foam and some PVC pipe spray painted black it was worth every penny.  All you do is screw your camera on top of it and go.  It turned out to be perfect for documentary filmmaking.

And years later I discovered it was also perfect for DSLR filmmaking.  DSLRS are even tinier and harder to hold than mini-DV cameras were.  So I don’t know how anyone can shoot hand-held DSLR footage without a shoulder mount like this.  And as a bonus, carrying one of these makes you look slightly more professional!  Any jerk can walk around with a camera but when people see that mount they assume that you probably know what you’re doing.

I’ve shot 100′s of hours of footage using this simple-little device and I can’t recommend it enough.  Here’s a little taste of my spiderbrace in action.  This is my entry for the Sprite “South America” assignment on Poptent. (I’m still waiting to hear if it won.)  I shot this entire video using my T2i mounted on to a Spiderbrace.  Thanks to the brace I was able to shoot fast, keep the camera steady and make smooth tilts and pans.

You can find a few different companies that make mounts similar to the Spiderbrace.  And you can also find high-end, metal versions that will cost you a fortune.  But I recommend the original, cheap-o Spiderbrace version.  Once you stick your 7D or T2i on one of these things you’ll never want to take it off.   http://www.spiderbrace.com/

Got a near DSLR tip of your own!?  Send me an e-mail and perhaps I can feature it on the site:  .

Bosny Spray Paint results

As you may remember, a few weeks back I did a post about my entry in the Bosny Spray paint video contest that was being run by Viralskool.  An entry’s view count made up part of its score and one of my competitor’s videos had like 80,000 views.  So I was doing whatever I could to get people to watch my submission.  Well it turns out the guy with the 80,000 views (and a lot of other contestants) just set their web browser to “auto-refresh” and let it run for a few days.  But Viralskool noticed that 99.99% of their views came from the same IP address so they were penalized for trying to game the system.  Long story short, my video came in first despite not having a billion views.  Here it is:

First Place winner.  Prize: $1,250:

I’m happy that I won and $1,250 is a nice prize but to be honest, I’m kind of disappointed with the way this contest turned out.  Because of the auto-refresh problems, the judges decided to change the rules mid-contest.  Originally the idea was that Bosny was putting up $5,000 and then contestants would get a percentage of that amount based on the number of views their video recived.  So if a video got 50% of all the views, the filmmaker would get $2,500.  But after the rule change, the maximum amount a single person could win was capped at $1,250 and the smallest prize was $50.  That really sucked since out of the 24 videos that were submitted, I was the only person who actually you know….tried.  Take for example this video that wound up winning $350.  And this video won $100 despite only getting 28 views.  Plus it doesn’t even feature the product.  It’s just a guy talking about Bonsy in an offensive, fake “mexican” accent.

So again, I’m happy to have won first place but I am kind of feeling a little ripped off right now.  I spent about $250 on my entry (I paid the actress well since it’s not easy to find someone willing to bounce around in their underwear) and I wouldn’t have spent so much or tried so hard if I knew the top prize was going to be so low.

But oh well.  I’ve actually been on a pretty decent run this month so I’m feeling good.  Recently I made the finals of a Rug Doctor assignment on poptent and Rug Doctor gave all 6 finalists surprise, $500 bonuses.  And then a few days ago I won first place and $1,000 in another small contest that was about the federal budget.  But my entry was kind of lame so I can’t bring myself to post it here.  I’m pretty proud of my Rug Doctor video though so click here to watch it and here to see all 6 finalists.

Vote for the Regis & Kelly “Great Days” finalists

All week long, Regis and Kelly of Regis and Kelly Live (of course) have been announcing the finalists in their Great Days Start here video contest and it turns out that a long-time reader of VCN, Tim O. has made the cut.  His entry is absolutely, over the top.  Seriously, it blows all the other finalists out of the water.  Check it out:

Great Days Finalist.  Prize: $5,000 with a chance to win $15,000 more:

Pretty good huh?  Maybe Tim will be able to get a gig directing the next Old Spice commercial thanks to that.  But first things first, right now he’s in need of some votes.  This contest is being run in a very unusual way.  The winner will be picked via a public vote but voting only lasts about three days.  Here’s a message I got from Tim explaining how to how to cast your vote:

Click on the link below, then click on the Vote Now button at the bottom of the page…you will then be asked to log in or register…once that is done you can then vote for my video (you only have to register once and after you are registered you can just log in the next time).  You can vote once per day…the voting phase ends Sunday March 13th at 6pm EST.

http://www.dadt.com/live/contest/greatdays/index.html

3/15 UPDATE: Well, “the people” have spoken.  Here’s the big winner. To be frank, I don’t think this video should have even made the finals. It’s nowhere near as good as the other entries.

Grand Prize Winner.  Prize:  $20,000.

Poptent party at SXSW

If you’re a filmmaker you probably already know that March is South By Southwest season.  The Film & Interactive portion of the fest starts this friday and the music portion begins on the 15th.  I got to visit SXSW’s home base of Austin, TX last summer and it really was a great town.  People talk it up so much that I thought the place would turn out to be overrated but no, it was straight up fun on a bun.  And didn’t get to do half the things I had hoped to.  (I did eat many a delicious taco though)

I’m kind of into film fests and I’ve always wanted to go to SXSW and dangit, I should have planned on going this year.  Some musician friends are doing a showcase and some other friends are flying in from Amsterdam for the fest.  So I had a few good reasons to go.  Turns out I also could have gone to this party being sponsored by Poptent on the 14th:

Click on the poster for a little more info.  It looks like a few of the Poptent staff will be at the event.  So if you’re a member of the site it’ll be kind of cool to meet the people-versions of the photos that approve and “like” your submissions.

I know that the contest site Mofilm is also going to have some kind of presence at SXSW this year but I haven’t read anything specific.  I saw that they picked some of their past winners and gave them free trips so they could document the fest.  If anyone’s heard anything about other video contest entities doing anything at the fest this year, lemme know.

MuseOpen: A COPYRIGHT-FREE Music Resource

I have that same wig

See that fancy fellow with the violin?  That’s the Italian composer Antonio Vivaldi.  I was first exposed to Tony V’s music in “Humanities” class during my senior year of high school.  And this exposure happened to occur at a time when my hobby of “making videos” was starting to become a full-blown obsession.  Consequently, Vivaldi’s music as well as a lot of other classical music tracks found their way into my projects.  (In my mind a classical score = artistic depth.)

Years later I learned that by using Vivaldi’s music I was technically committing copyright infringement.  Vivaldi has been dead for 270 years now which means all of his compositions became “public domain” long before my great-grandparents were even born. But in most cases, filmmakers can’t use the work of long-dead composers because the recordings of those pieces are almost always copyrighted.  So you are free to use a Beethoven sonata or a Mozart concerto in your work but the living musicians that performed in those recordings are going to expect to get paid.

Or at least that used to be the case.  The other day I came across a brilliant website named MuseOpen.  Some ingenious and highly motivated person named Aaron Dunn raised enough money through a kickstarter campaign to hire musicians and orchestras to perform popular pieces of Public Domain music.   The musicians had to sign away their rights to the recordings and MuseOpen publishes the music online, for free.

That means the classical tracks featured on MuseOpen are 100% Copyright free!  Filmmakers and other artists are welcome to use those recordings in any way they see fit.  And this is great news for video contest filmmakers. Pretty much every, single video contest you’ll find on the web will require you to get permission before using a piece of music in your entry. And some contests take things a step further by explicitly prohibiting the use of any material that someone else has copyrighted. That means that even if you buy a license for a song, you can’t use it because someone else still owns it. But the songs on MuseOpen are literally owned by no one. No one has any copyright claim to those works.

So MuseOpen is a real bonaza for video contest filmmakers. But take caution when using music from the site. Some of the tracks are so good and sound so professional that video contest judges will probably assume you stole that piece of music. So it’s always a good idea to credit the source. You may want to add a quick title card to the end of your video that explains where the music came from and that it’s totally copyright free. Personally, I always cite my music source in a video’s description box, if possible. But if you really want to err on the side of caution I would advise you to e-mail the contest organizers and explain to them how MuseOpen works and why you are legally allowed to use the music posted there.

Here’s a link to the site: http://www.musopen.org/

You have to sign up if you want to download anything but membership is free.

UPDATE: Check the comments to see read an important note about the copyright status of some of the songs on MuseOpen!


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