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Interview with Jon Friedman, Crash the Super Bowl finalist and creator of “Man’s Best Friend”

Crash the Super Bowl finalist, Man's Best Friend

Though I’m not totally crazy about some of Doritos’ picks in this year’s Crash the Super Bowl contest, I will admit that all of the 2012 finalists are….ok.  In fact, I think they all range from decent to awesome.  Last week I posted an interview I did with one of the creators of the CTSB finalist ad, Hot Wild Girls.  I mentioned that I thought his entry was one of the “awesome” ones and that I personally would be voting for it every day.  But this year, Fritolay has made it so you can vote a bunch of times in a bunch of different ways!  So I’ve been splitting my votes up between my two favorite ads; Hot Wild Girls and Man’s Best Friend.

I couldn’t believe my eyes when I saw that “Man’s Best Friend” made the final five; not because it was bad but because it was….I don’t know…pleasant.  It doesn’t assault your senses or your intelligence like some of the other finalists do.  Sure, it has a gigantic dog in it but it’s smart and subtle and even a tiny bit dark.  And the most amazing thing of all is that Man’s Best Friend was produced for only about 20 bucks!  So it’s really exciting to learn that that low budget, “homemade” ads still have a shot in this contest.

Man’s Best Friend was created by a very nice dude from Virginia named Jon Friedman.  Let’s get to know him, shall we?

VCN:    So Jon, tell me about yourself.  Who are you, where are you from?

JON:  I am a freelance graphic designer, filmmaker, photographer, and musician from Virginia Beach, VA. Filmmaking has always been a passion of mine, as is music (I play piano, guitar, and drums.) In the graphics world, I am best known for my design of the “Conversations with God” books, which have sold more than 10 million copies worldwide. I was also fortunate enough to design Richard Bach’s last two books–he is the author of the classic books, “Jonathan Livingston Seagull” and “Illusions.”

VCN:  Have you entered many video contests in the past?

JON:  This is the first video contest I’ve entered.

VCN:  What made you want to enter the CTSB contest?

JON:  Well, I can think of a “million” reasons . . . But seriously, I’ve always thought it would be fun to make commercials. I’ve had a lot of ideas for them over the years, and while I was watching the commercials during last year’s Super Bowl I thought “why haven’t I entered this contest? This is something I’ve always wanted to do.” So I made a decision right then and there to enter CTSB the following year.

VCN:  Where did the idea for Man’s Best Friend come from?

JON:  The inspiration for “Man’s Best Friend” was triggered by a thought I had one night. It just occurred to me that in most ads involving an animal, the animal is always trying to acquire the product. So I thought to myself, “What if there was a twist on that, or it was the opposite of that?” After having that thought, the idea for “Man’s Best Friend” popped into my head. I think that’s how inspiration works in general. Something usually triggers it–a thought, a memory, a feeling. It can be anything.

VCN:  How was the ad produced?  What kind of camera did you use?  Mind if I ask what your budget was?

JON:  I shot the commercial for about $20 using a Canon 7D (which I already own). I had to buy some Doritos, a few props, and some dog treats. I originally thought the commercial would only cost $13 to produce, so I went way over budget. The most difficult part about the production was getting “Huff the Great Dane” to cooperate. He’s really just a gigantic 120+ pound baby who wants to run around, sit in people’s laps, and eat treats (he was also fond of shaking hands/paws with everyone). Huff knew the word “sit” but that’s about as far as his training went. It took some patience and cleverness to get what we needed.

Jon Friedman in Fritolay's secret underground PR bunker

VCN:  How and when did you find out you made the finals?

JON:  I don’t remember the exact date, but I received a phone call between the second and third week in December. I was told to keep quiet about it of course, so that was very difficult. It’s tough to walk around acting like everything’s normal when you get news like that!

VCN:  This is kind of an insider question but I think some readers will really like to hear the answer.  I’ve heard that actors in CTSB ads actually get paid SAG “scale” by Fritolay.  Is that true?

JON:  Yes, that’s true. I only had one on-screen actor in my commercial and he had to fill out a SAG contract.

VCN:   So who are you taking to the Super Bowl?

JON:  I’m taking my brother (and assistant director.) We often collaborate on creative projects and his help has been invaluable.

VCN:  What are you doing to promote your entry?

JON:  I don’t know that I’m doing anything too special–Facebook, local media, friends and family. I’m hoping that will be enough!

VCN:  What has been the reaction of your family and friends to all this?

JON:  They’ve been incredibly supportive and I think many of them are more excited than I am! I’m still in shock by the whole thing.

VCN:  Here on VCN we’ve talked a lot about finalists who are able to win the CTSB more than once. Are you already planning your entry for 2013?

JON:  I have so many ideas, and I’ll admit, I have thought about what I might do next year. If I don’t win the big prize this year (which I believe automatically disqualifies you from entering the contest again), I will probably enter it again next year. I had a lot of fun making this commercial, and even if I don’t win again, I know I’ll enjoy creating another one.

VCN:  Any final thoughts you’d care to share?

JON:  This whole experience has been amazing, and I still feel honored that “Man’s Best Friend” was chosen as a finalist. If people have any questions or comments they’d like to share with me, I can be contacted at jonathan@frame25productions.com
 

 
To vote for Man’s Best Friend, head here: www.mansbestfriendcommercial.com

 

Interview with Eric Delgado, co-creator of “Hot Wild Girls!”

The hot, wild girls of "Hot Wild Girls"

When the Crash the Super Bowl finalists were announced on January 4th, I was pleasantly surprised to see that an ad entitled “Hot Wild Girls” had made the Top 5.  Though the commercial was clever, topical and funny, it seemed like kind of an “outside the box” pick for doritos.  It didn’t feature anyone getting brutalized and it wasn’t an over-produced, super-slick interpretation of “user generated content.”  Instead it actually feels like real,  authentic, UGC.  It looks like it was shot by a few buddies in their living room because it was!  And while it does feature dogs, at least they weren’t trying to trick a cruel human into dropping his Doritos on the ground. (I was positive we’d see another “dog gets his revenge” ad this year since there were so many copycats in the gallery)

So I was really glad to see this spot make the finals.  And I was even more pleased when I found out “Hot Wild Girls” was made by a friend of VCN!  The ad was written by a reader named Eric Delgado of San Antonio, TX.  This is kind of insane but for the second time in about 8 months, Eric has a serious shot at winning a million dollars in a video contest.  Over the summer, he and his friends made the finals in Gain’s “Smell Like a Million Bucks” competition.  Ultimately his team didn’t win that contest but it seems like that brush with victory inspired them to “go big” when it came time to enter the biggest video contest of them all; Doritos’ Crash the Super Bowl contest.  And now, here’s out Q&A with Eric:

VCN:  Tell me about the “Hot Wild Girls” team.  Who are you guys?

ERIC:  Nate Watkin, Brad Scott and Eric Delgado. We are ex-MMA fighters from Denver, CO and San Antonio, TX with a combined record of 1-27 (Brad got the W because the other dude tapped out upon entering the cage claiming that Brad was “too pretty to hit.”)  Actually, Nate (my cousin) and Brad are the co-founders of their production company, Definite Productions, based in Denver.  They’ve been working together for about four years producing commercials and videos.  Last year, after Nate saw my Doritos entry for last year’s CTSB, we decided that we should work together on a future project since we all had a passion for comedic commercials.

The "Hot Wild Girls" team

VCN:  Have you guys entered many video contests in the past?

ERIC:  As a team, it’s our second contest.. We entered the Gain “Smell Like a Million Bucks” contest this past summer and we were actually a Top 25 finalist for the million dollar prize.  Sadly, we didn’t win.  That’s why we are pretty stoked about this Doritos opportunity.  We realize that we’ve overcome some pretty ridiculous odds and we are extremely grateful to be in this position.  Beardy’s Note:  Here’s his team’s Gain entry.  That’s Eric playing the role of the Repair Man:

 

 
VCN:  What made you want to enter the CTSB contest?

ERIC:  Honestly.. The opportunity to have our commercial/vision broadcasted to over 120 million people worldwide via the Super Bowl and the doors that’ll hopefully open as a result.. And of course the money. ;)   The money part should actually immediately follow the “Honestly..” mentioned above.  What? Just sayin’.

VCN:  Where did the idea for your entry come from?

ERIC:  My cranium.. But knowing you Beardy, you probably want some details.  I knew we needed something that was “trendy”.  I also knew the power of animals in a commercial.  I wrote and wrote for a few hours until finally I came up with dialogue that fulfilled the “twist” which, coincidentally, added the final ingredient… Gorgeous girls.  I love those girls Beardy…I have no problem admitting that.

VCN:  How was the ad produced?  What kind of camera did you use?  Mind if I ask what your budget was?

ERIC:  Pre-production consisted of a week of casting talent, securing a location, and locating 3 Rottweiler’s (thank you Camp Bow Wow!) that could work together.  We had a $2,000.00 budget that was used to pay the talent and makeup artist.  A friend loaned us the RED One camera to shoot this ad.  Nate and Brad chose this camera for it’s amazing picture quality and control of the final image.  Since our intention was hopefully to have this ad broadcasted, we felt it was best fit to shoot at a higher resolution.  We shot on-location during a 5-hour period and had to work around the shifting daylight.  All footage was logged within an hour of completing the shoot, and then edited the next day with a final that night due to the deadline of the contest.

Whoa, nice camera!

VCN:  So who gets to go to the Super Bowl?

ERIC:  Nate and Brad.  However, if the Cowboys we’re still in the playoffs, this would be a little different.  Stupid Cowboys.

VCN:  What are you doing to promote Hot Wild Girls?

ERIC:  Media (News/newspaper/radio interviews).. Social media outlets (Facebook, Twitter, buzzfeed.com, etc.).. Website (hotwildgirls.tv).. Guerrilla marketing (fliers, posters, word of mouth, etc.)

VCN:  What has been the reaction of your family and friends to all this?

ERIC:  They have been AMAZINGLY supportive!  They are extremely proud and happy for us.. And we couldn’t be happier to have them along for the ride. We love ya’ll!!!  All that time spent in the past voting for a friend’s “Cutest Baby”, “Best Restaurant”, or “Prettiest Puppy” is finally paying off.

VCN:  Here on VCN we’ve talked a lot about finalists who are able to win the CTSB more than once.  Are you already planning your entry for 2013?

ERIC:  Absolutely. However, I hope they just announce the winner(s) before December 21, 2012. If I’m going down, I’d at least like to know that our commercial WOULD have aired during Super Bowl XLVII.

VCN:  Any final thoughts you’d care to share?

ERIC:  Yes.. And this is for your frequent visitors (like us.. fellow “Joe Handycams”) Beardy. There will always be people out there that criticize your work.  They’ll try and blast your creation on websites, forums, or maybe even the “comments” section under that YouTube video that you were proud to post even after a contest you didn’t win.  Who cares.. Let them criticize while you continue to create.  We are by no means experts in this art.. It simply makes us happy.

VCN:  Well said!

 

 
I’ve been voting for “Hot Wild Girls” every day and I think you should be doing the same.  It’s a cool, funny ad I’m hoping that if it airs during the Super Bowl and scores well on the ad meter, maybe next year Doritos will be inspired to make “outside of the box” picks when it comes time to choose their 2013 Crash the Super Bowl finalists.  To vote for Hot Wild Girls, just click here!

 

Interview with Pepsi Max Crash the Super Bowl finalist, Kyle Stafford

Kyle battles a Doritos-loving kid in his 2012 Crash the Super Bowl entry, Switcheroo

When it was announced the Pepsi Max wasn’t going to be a part of this year’s Crash the Superbowl contest I was both disappointed and relived; disappointed because that meant there would be only 5 finalist slots instead of 10 and relived because the folks at Pepsi simply did not seem to get this contest.  The people at Doritos who created and run “The Crash” have spent years building up the reputation of this mega-contest and in one season, the Pepsi Max team came in and did serious damage to the CTSB “brand.”

Pepsi Max hurt the contest in a few ways but it all comes down to which videos they picked for the Top 5.  When the 2010/2011 contest was announced, the Pepsi team kept pushing the idea that Pepsi Max was a “manly” diet drink.  And so, hundreds of filmmakers shot ads that were aimed at selling Pepsi Max to men.  But somewhere along the way, Pepsi must have changed their marketing strategy for Pepsi Max.  Because when they announced their finalists, 4 of the top 5 videos were clearly aimed at selling Pepsi Max to women.  That upset quite a few people.  But that was nothing compared to the backlash when fans actually watched Pepsi Max’s finalist choices.  Two of them were embarrassingly bad and a third ad was very-expensive looking but it wasn’t especially funny. It aired during the big game and scored 24th on the USA Today Ad Meter…which I believe makes it the worst performing CTSB ad ever.

So Pepsi’s Top 5 were just not on par with the kind of ads that Doritos always picked. There were only two 2011 Pepsi Max Crash the Super Bowl finalists that I personally liked.  One was “Love Hurts” and the other was this ad entitled, First Date:
 

 
One thing the Pepsi Judges did that kind of impressed me was that they weren’t afraid to pick ads that didn’t have high-end production values. (Of course, I think this strategy backfired in one or two cases) First Date doesn’t look super slick and it wasn’t shot with a $18,000 Red Camera.  The thing it has going for it is great writing.  It’s clever and interesting and it’s aimed at both women AND men.  And best of all, it’s TRUE.  People connect with this idea because they have probably been in situations like the one depicted in the video. First Date wound up airing during the Super Bowl and despite the fact that this ad only cost about $25 to make, it was ranked the #7 best ad of the night on the USA Today ad meter poll.  It just goes to show you that good writing conquers all.

The man behind First Date is named Kyle Stafford and he plays “the guy” in the commercial.  It turns out that Kyle is a fan of VCN and he graciously agreed to answer some questions about his Crash the Super Bowl experiences.  And now, on with the interview:
 
VCN:  So Kyle, tell us about yourself.  Where are you from?  What do you do for a living?
 
KYLE:  I am from Northern California. A place called Rohnert Park, north of San Francisco. I graduated from UC Santa Barbara and came straight to LA to become a world famous writer/producer. Ten years later and I am now an Editor over at Warner Brothers. It’s actually not a bad gig, but I still write/produce on nights and weekends.. I am married and we have 2 sons. And they are actually all in this years CTSB commercial.
 
VCN:  Do you enter a lot of video contests?
 
KYLE:  This year will be out 4th year entering the Crash contest. Last year we actually made 3 commercials, 2 for Pepsi Max and 1 for Doritos. But besides this contest, we don’t really enter other contests.
 
VCN:  Do you remember why you entered the contest last year?
 
KYLE:  We actually were not going to enter last year, because we had entered the 2 previous years and thought we had pretty good entries and never got in, so we were all stubborn, like “screw it” we don’t need them.  Then we came to our senses and realized we did need them and we ended up making 3 spots. We actually thought a different entry was going to be the finalist. A spot called Pepsi Wedding, which you had in your Top 30 list. So when they called and said it was for First Date we were all kind of shocked.
 
VCN:  Tell us about how you created First Date.
 
KYLE:  A couple of friends and I have a comedy/skit website called GoodLookingLiars.com, so we had been making content on and off together for about 2 years when we decided to enter the contest again. We hadn’t really put any thought into the commercials since we were not going to enter anything, but then when we decided to enter, we had almost no time, so we had to act quick. I got the idea in LA traffic, during an especially awful stretch on the 405. I just remember it making me laugh, so I called Nick Simotas and Robby Wells right away and told them the idea and they both laughed. Then I called my wife and she said there was no way we could say that during the Super Bowl. That’s when I knew we were going to make it. The ad cost about 25 dollars to make. We got the restaurant for free, got friends to be extras and shot the whole thing in about an hour. It isn’t the most complex commercial in the world, with no production audio and really only 3 camera angles. The 25 dollars was just to buy frozen dinners to put food on the plates as well as a pack of gum so the whole cast and crew could partake in a good chew. The actress opposite me is Julia Bellows, she is a super funny friend of ours that we have used in a bunch of our stuff.
 
VCN:  How and when did you find out that you made the 2011 finals?
 
KYLE: The people at Pepsi called us about 3 or 4 days before they posted the results…. The only reason they tell you in advance is to make sure you have all the correct actor/location releases and paperwork before they go through the process of making you a finalist. I was actually at work when they called, and we were not allowed to tell anyone until they posted, so I had to sit at work the rest of the day with this huge dopey grin on my face and I couldn’t tell anyone why.
 
VCN:  Did Pepsi Max ask you to keep the news to yourself?  How did your friends and family react when they heard the news?
 
KYLE:  Yeah, we were asked to keep the news under wraps until they posted the finalists. I think my friends and family thought I was kidding, most probably did until the second they saw it actually air during the game. Good thing my face was on it or nobody would have ever believed me.
 
VCN:  How was your trip to the Super Bowl?
 
KYLE:  Trip to the Super Bowl was amazing, we got to sit in a luxury box at the 40 yard line with catering and free booze. Dallas was freezing though, Pepsi had actually planned a bunch of cool events and parties to go to, but we had to cancel a good amount because it was really hard to get around, but we got to go to the Pepsi Jam concert thing with Kid Rock and Duran Duran. So the whole trip was pretty surreal, being whisked away to events and having VIP passes. Usually I am working catering at those things, so it was cool to sit back and enjoy it all.
 
VCN:  Your commercial wound up playing very late in the game.  How did it feel when it finally ran?
 
KYLE:  Yeah, they don’t tell you if you’re going to air until you see it on the TV, so every commercial break is pretty intense. They aired 5 of the 6 ads in the first quarter, so only one ad was going to air the rest of the game, so then we had to sit through every commercial break until about the middle of the 4th quarter. They actually ended up airing our ad on the Dallas Stadium jumbo-tron, which is the biggest jumbo-tron in the world I think, so my already giant head was spread out over a 60 yard TV. We actually thought at that point our ad was not going to air on TV, thinking the Jumbo-tron was a consolation prize or something. But then the time came and it aired and Nick and I freaked out and hugged, it was a pretty cool moment. I think Nick had a roll of quarters in his pocket.
 
VCN:  First Date did amazingly well on the ad meter.  In came in 7th.  Did you expect to rank so high?  Even though you didn’t “land in the money” were you happy with how your commercial performed?
 
KYLE:  The ad did a lot better then we thought it would. We didn’t expect it to rank so high, but I think in the sea of slick over-produced ads, I think we were kind of novel in that our ad was so insanely simple and true. The biggest thing we kept hearing was how true our ad was and I think people were laughing at the truth of the guy/girl thing. It’s funny, landing in the money was never even a thought for us, we just wanted it to air, then when we saw we came so close, you start thinking “Damn! We almost got like 400 grand.” and you start to get bummed, but then we shook ourselves and remembered we were at the Superbowl and had an ad that we created that just aired in front of 110 million people and we perked up. And Nick said he had a roll of dimes now.
 
VCN:  Were you surprised that Pepsi Max wasn’t part of the Crash the Super Bowl contest this year?
 
KYLE:  Yeah I was surprised, if you look back at last year, Pepsi had 2 of the top 7 ads on the Ad Meter. If you were a real ad agency and you could point to those kind of results they would be getting bonuses, but I am sure the people at Pepsi Max know a little more than I do about soda marketing, so I am sure they have their reasons.  But it sucks having the finalists basically cut into half. Makes it that much harder to win.
 
VCN:  How did making the CTSB finals change your life?
 
KYLE:  Being a finalist in CTSB was a super cool experience, but I wouldn’t say it has changed my life.  It is a really nice story to tell and legitimizes us a little with Hollywood producer types, but nobody is knocking down our door for all our content. I got recognized a little right afterward, a few people asked me if I was that guy on TV or I would be at the store and you would see someone staring at me like they knew me from somewhere but couldn’t quite figure out from where. I had a kid want a picture with me at the game. I told him “When you go back through these pictures you are gonna be like ‘Who the hell is this guy in my photo album?”
 
VCN: Did you enter the contest again this year? 
 
Yeah, we entered in again this year. I included my whole family in this year’s ad. You can tell we broke the bank again on this ad. This one actually didn’t cost anything:
 
http://www.crashthesuperbowl.com/#/gallery?video=13134
 
Thanks for your site and good luck to all the entrants. Keep making stuff!!!!
 
VCN:  And thank you for your time.  Good Luck this year!

 

Interview with Max Traylor of HighlyHumourous.com

This week I’m happy to welcome a new sponsor to VCN, the video contest site HighlyHumorous.com.  Since Highly Humorous is brand new and since they are kind of different than the other video contest sites you might be familiar with, I thought it would be nice to talk to one of the site’s founders, Max Traylor and get the scoop on what’s going on over at HH.

VCN:  So what inspired the creation of Highly Humorous?

MAX:  Well, the five of us (Max Traylor, Adam Hauff, Greg D’Aleo, Jordan Berger, and Tom Blakeley) were about to graduate from business school last year and we knew we wanted to start a business where we could have fun. We saw the success of large video contests like Crash the Superbowl and we knew that video contest websites were getting pretty popular. We also loved watching funny videos on comedy sites like College Humor and Break.com so we started to develop this idea of a video contest comedy website hybrid. It turned out to be a pretty good idea so we ran with it.

VCN:  What do you think sets HH apart from other video contest sites?

MAX:  HighlyHumorous was designed specifically for comedy teams and organized groups of creative filmmakers. Just like Facebook brand pages, a highlyhumorous video channel is an opportunity to showcase what a comedy team can do as a brand. There are thousands of comedy teams out there, each with their own style and tight knit following. HighlyHumorous is a platform where these creative teams and their followings can compete against one another. One of the really unique things about HighlyHumorous is that there is much larger scale competition among the teams than simply one video contest.  We have a leader board, which takes into account the total points that each team has earned from all the competitions that they have participated in.  This allows the teams to compete on a more macro level than any other video contest website.

Sponsoring a contest for a brand means that they are tapping into the energy and organization of these teams AND the communities they are a part of, instead of reaching out to individual filmmakers with a smaller social footprint. Keeping a steady flow of contests also benefits the comedy teams. They have a chance to win cash for their videos, and they build a diverse portfolio for brand advertisements in the process. In a business sense, HH plays cupid for business to business relationships between brands who are in need of creative assets, and brands who specialize in creating engaging material for their fans.

We also try to make the platform more entertaining for viewers by allowing comedy groups to populate their video channels with material not related to our contests. Comedy teams can show off their funniest videos, announce their own live shows, plug their own social networks and websites, and collaborate with others who have the same love for comedy.  Teams also have a wall on their profile where users and other teams can interact with the team and leave comments.  We really wanted to make HighlyHumorous more social and engaging than the other video contest websites that we had seen.

VCN:  How can someone win prizes on HH?

MAX:  There are two ways you can win a prize in a contest. First, you can win the popular vote. When you submit a video to a contest any registered HH user can award that video between one and five stars. The amount of stars or (points) the videos collect determine the popular vote winners. Secondly there is an additional cash prize awarded by a team of judges. Sometimes this panel of judges will include the HighlyHumorous staff, also known as the “High Council”, but it may also include representatives of a sponsoring brand.

VCN:  Some video contest filmmakers are wary of contests that require voting because of cheaters.  What steps have been taken to prevent cheating?

MAX:  Preventing cheating is next to impossible. Anyone can write a silly program that will shoot their video to the top of the voting charts. One of the measures we have taken to keep the game fair is to recognize when a video is collecting illegitimate votes. As soon as a video is submitted to a contest we watch it like a hawk. We know who shares the entry, when they share it, and what networks it goes to. We can then track how many people are interacting with that video and how many are coming back to vote on it. Additionally, we require voters to be registered users on HighlyHumorous.com. We look very closely at the winning entries, who voted for them, and when. We know when someone is collecting illegitimate votes from users that do not exist, and we disqualify them.  Additionally, each registered user of HighlyHumorous can only cast one vote per video and no vote can negatively affect the video’s score.

VCN:  What kind of contests do you expect HH will run in the future?

MAX:  Many of our future contests will feature sponsoring brands that are eager to see what kind of ideas and commercials our creative community can put together. In addition to these sponsored contests we are planning smaller side contests which give our community a little more creative freedom, like parody contests. We will always have something going on to engage our content creators and to provide our viewers with a constant stream of unique videos.

 
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