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Which Crash the Super Bowl ads will air on sunday?

The last day to cast your vote in the Crash the Super Bowl contest was January 30th and by now all 10 finalists should be enjoying their week-long trip to sunny Dallas, TX. (current conditions: 20°F and “snowy”)  It’s gotta be nerve-racking to wait a full week before learning whether or not your ad is going to air during the big game.  But hopefully all the selected filmmakers will be able to chill out and enjoy themselves…in Dallas.  I just checked and in the previous three years that the CTSB happened (2007, 2009 and 2010) the Super Bowl always took place in Miami or Tampa.  But don’t feel too bad for the 2011 winners.  At least they have good BBQ in Texas.  If the contest comes back next year and you make it to the finals you’ll get to spend a week in fabulous Indianapolis, Indiana!

But 2012 is a long way off.  So let’s focus on the immediate future and talk about how this year’s contest might finish up.  I didn’t follow this year’s competition as closely as I did last year but I do think I have a decent idea as to which ads are going to make it to air.  I’m basing my predictions on several factors:

1. News and Social Media Coverage, 2. Finalist’s “vote for us” campaigns, 3. Youtube views, 4. Entry Quality and finally 5. My Ass (Frankly, that’s where one or two of these picks got pulled from)

So here are the ads that I think are going to make it to air on Sunday.  I’ll list them in the order I think they will run.  Keep in mind that the earlier an ad airs, the better it will probably do on the ad meter.  And Fritolay gets to pick when an ad plays regardless of how many votes it got.  So that means the first two ads to play are the ones that Fritolay thinks have the best shot of landing in the Top 3 on the ad meter.  Click the thumbnails to watch the ads.

1.  Pug Attack: If this isn’t the first Doritos ad to air on Sunday I’ll eat a giant, foam Cheese Hat.  Pug Attack has absolutely crushed all of its competition on youtube.  Right now it’s at 125,000 views.  The next most viewed 2011 finalist is “The Best Part” with 61,000 views.  Pug Attack has also gotten a lot of press and social media coverage so I think it’s a safe bet that it got enough votes to make Doritos’ Top 2.  And if it didn’t, it’s proven popular enough that the Doritos judges would chose to run it.  And one more thing; as I’ve mentioned I was disappointed that Doritos picked this ad since it seems like a blatant rip-off of last year’s CTSB winner, Underdog.  The similarities between the two spots are undeniable so Doritos must have picked this ad because it reminded them of Underdog.  So their goal may be to create a symmetry between last year’s winner and this one (which they hope will be the big winner of the night.)  If that’s the case they’ll be running Pug Attack first since last year they ran Underdog first.

2. Torpedo Cooler: For some reason, the filmmaker who made Torpedo Cooler has done almost no campaigning for his ad…at least as far as I can see.  I haven’t seen a “vote for torpedo cooler” website or facebook page and I’ve only seen a few, random “vote for torpedo cooler” blog posts and tweets.  This is weird when you consider the fact that Torpedo Cooler was directed by a filmmaker (and friend of VCN) named Brendan Hayword.  And last year, Brendon made the CTSB finals with a commercial called “The Smackout.”  Brendan campaigned like crazy in 2010 but in the end, he was the only person who’s ad DIDN’T air during the Super Bowl.  From what I’ve read and been told, the Fritolay team and the other finalists felt pretty bad for the guy since he was basically the only non-winner in the group.  So why would this filmmaker work so hard and spend so much money (According to this press release, Torpedo Cooler’s budget was $4,500) to try and get back to the Crash the Super Bowl finals and then exert almost no effort to get enough votes to make it to air?  I think it’s because he was already informed weeks ago that Torpedo Cooler will be the ad that the Pepsi Max judges choose to air.   And you know what?  I don’t think there’s anything wrong with that.  If Pepsi knew right from the start which ad they wanted to air I actually think it was pretty cool of them to let the filmmaker know so he wouldn’t waste a month busting his ass, hustling for votes he didn’t need to get.

3.  The Best Part: As I’ve said, this spot really grew on me.  Yeah it’s kinda gross but if it airs during the big game a lot of people will probably be quoting this ad on Monday.  (mmm, cheese!)  The team that made this spot did a lot of campaigning and they have a robust following on facebook.  So I think they’re going to get enough votes to make the Top 2.  And this is going to sound like kind of a weird theory but if you go to the official Crash The Super Bowl youtube channel, The Best Part is their “featured video” and it’s set to Auto-Play whenever you visit the page.  That’s a little trick to boost a video’s view count if you have a popular channel.  Fritolay is proud of the viral success of the their CTSB finalists.  So I think they might be trying to jack up this ads’ view count because they don’t think many people will rush to their computers after the Super Bowl to re-watch a commercial where one guy licks another guy’s cheesy fingers.

4.  Zero Calories, Psshh: This spot makes my list because it’s gotten a considerable amount of press coverage.  But it also has a big advantage because the video was essentially the combined effort of a bunch of employees at a florida Ad agency.  That means that every employee at the company and all of their friends and family members were probably voting for “Zero Calories, Psshh,” religiously all month long.  Plus hey, they’re an ad agency.  So they better know how to promote their own work!  As for its placement during the Super Bowl, I think Fritolay will try and bury it during the middle of the game since it’s not as strong as most of the other videos in the Top 10.  Last year, the last Crash the Super Bowl ad that aired during the 4th quarter wound up being the most watched commercial OF ALL TIME.  So I think Doritos and Pepsi will want to try and finish strong and air some of their best ads, last.

5. House Sitting: I don’t think “House Sitting” will get enough votes to make it to air but I do think this will be the spot that the Doritos judges pick.  I’m personally not crazy about this ad but a lot of people seem to really like it and it would probably do ok on the ad meter.  It also goes very quickly which means that a lot of people would want to watch it again later on line.  Predicting which ad Doritos will want to run is a tough call.  If not “House Sitting” the slot will probably go to Birthday Wish.  But House Sitting has several things going for it that “Birthday Wish” doesn’t.  For one, Doritos appear all throughout House Sitting but they only get about 3 seconds of good screen time in Birthday Wish.  House Sitting is also one of the only finalist ads to feature a non-white actor and it’s the first CTSB finalist ad ever to be created by and African American female director.  Diversity is important to fritolay (as it should be) and so if the judges have to pick between House Sitting and Birthday Wish I think they’ll give it to House Sitting.

6. Love Hurts: This is one of my personal favorites and I think it would go over really well during the Super Bowl.  The big, shocking slapstick surprise at the end should really help it score well on the ad meter.  The video has gotten a decent amount of social media coverage and it’s actually the most viewed Pepsi Max finalist ad on Fritolay’s youtube channel (41,000 views.)  Because three of the five Pepsi Max finalist ads are….well, not so great, that should really help Love Hurts get enough votes to make it to air.  If a random person who had no connection to any of the finalists watched all five Pepsi Max ads I don’t seem many people voting for anything other than Torpedo Cooler or Love Hurts.  And if Torpedo Cooler DOES get enough votes to air, Pepsi’s only other logical pick would be Love Hurts.

7.  ??????: For the last two years, Doritos has surprised contestants by running an extra Crash the Super Bowl finalist spot during the game.  A few weeks ago it was announced that Fritolay/Pepsi had bought a 7th Super Bowl slot.  The company can use it for any of their products and I’ve read that they might run an ad for Brisk Ice Tea.  But, they may also decide to run one extra CTSB commercial.  I don’t think that’s gonna happen though.  6 CTSB ads is enough for one night.

Just for the record, the ads that I don’t think are going to air are Elevator Girl, Adam & Eve, Birthday Wish and First Date.  You can watch all 10 of this year’s finalists here.

And now, a few quick predictions about the USA Today Ad Meter:

1.  Fritolay’s 5 million bucks is safe.  There is just no way in the world that 3 of this year’s finalists will be ranked the #1, #2 and #3 commercials of the game.

2.  Actually, all of Fritolay’s bonus money is probably safe.  I don’t think any of the Pepsi Max or Doritos commercials will land in the Top 3. (other companies have some really big ads planned for this year)

3.  The winner of the “Professional Commercial” gig will be the director of Pug Attack since that ad will be the highest scoring CTSB commercial of the night.

4.  The only spots that have a shot at making the Top 10 are Pug Attack, Love Hurts and House Sitting.

5.  AT LEAST one Crash the Super Bowl ad will score BELOW #30 on the Ad Meter. And if some of the weaker ads air I think they have a chance of landing in the bottom 10.

Alright well, the time for predictions is finally over.  Check back here after the Super Bowl for all the final ad meter results!

How to cast a protest vote in the CTSB contest!

Now that you’ve had some time to get over the shock of Fritolay’s bizarre finalist choices in the Crash the Super Bowl contest it’s time to decide which entries you’re going to get behind during the month-long voting process.  What’s that you say, Mr. Sore Loser Man?  You’re so disappointed in Pepsi and Doritos’ Top 10 that you’re not going to vote for any of them?  Well that’s certainly understandable but not voting for any of the videos isn’t going to bother Fritoaly in the slightest.  In fact, you might be giving them exactly what they want.  I’ve heard a slew of theories in the last few days about why Doritos and Pepsi picked several commercials that would be destined to tank if they aired during the Super Bowl.  Some readers have posted comments saying that they think Fritolay wanted to make sure their commercials don’t score all top 3 spots in the Super Bowl ad meter.  (If that happened, they’d have to pay out 5 million dollars in bonuses!)  One 2009 finalist has said that the executives at the ad agency Goodby/Silverstien (they help fritolay run and judge the contest) may be sabotaging the “Crash” on purpose because its continued success is making them and the rest of their industry look bad.  But personally, I believe that the CTSB judges picked several weak, unappealing ads in an effort to funnel votes to the higher quality entries they want to see play during the Super Bowl. After all, the producer who’s ad scores highest on the ad meter wins a contract to produce a big budget commercial for Pepsi Max and Doritos.  So I think the judges stacked the deck in favor of the producers that they think could best handle that assignment.

Or maybe I’m crazy.  Maybe Pepsi and Doritos are totally psyched about all 10 of their selections and consider ALL of them capable of scoring in the Top 3 on the USA Today Super Bowl Ad Meter.  Whatever the case may be, if you choose not to vote for any finalist videos this year, you’re only hurting yourself.  Because every day, 2 random voters will win a pair of tickets to this year’s Super Bowl.  So you might as well vote.  And if you’re going to vote, you might as well try and send a message when you do.  That’s why I’m recommending that you vote for the Pepsi Max finalist and Doritos finalist that probably have the lowest chances of scoring well on the ad meter.  That would be ADAM & EVE for Doritos and ELEVATOR GIRL for Pepsi Max.

Now admittedly, this is kind of a dickish thing to do.  A few of this year’s Crash the Super Bowl finalists are pretty decent and some of them might even stand a chance at landing in the Top 3 on the ad meter.  Isn’t “voting for the worst” just going to hurt the hardworking filmmakers that made good, Super Bowl-worthy ads?  Naaaaw.  Because don’t forget, only 2 ads from each product will get onto the game via the public vote.  Pepsi and Doritos also get to select one ad each from their Top 5′s regardless of how many votes it gets.  So the best ads are already pretty much a lock.

I think Doritos already plans to air “Birthday Wish” and is hoping to also air “House Sitting” and “The Best Part.”  So why do I think “Adam & Eve” is a sacrificial “weak” entry?  Because if it actually makes it to the Super Bowl, it’s doomed to tank on the ad meter.  Nothing interesting happens for the first 20 seconds which means the Ad Meter Focus Groups won’t be turning their dials to “like.”  Doritos has to realize this.  So why would they pick it?  Maybe they’re hoping to stir up some controversy?  I don’t know.  But I am pretty confident that “Adam & Eve” is not an ad they actually want to play during the game.

As for Pepsi, I think they plan to air “Torpedo Cooler” and are hoping to air “Love Hurts” and “First Date.”  “Zero Calories, Psshh!” at least has funny sounds in it and bright colors so it’d score a little higher than “Elevator Girl” on the ad meter.  If I were to meet one of the Pepsi judges tomorrow and if they looked me straight in the eye and told me that they honestly think that “Elevator Girl” is good enough for the Super Bowl and that it has a shot at landing in the Top 3 on the USA Today ad meter I’d call them a liar to their face.  I think “Elevator Girl” is only in the Top 5 because the judges know that no one but the friends and family of the cast and crew of that entry would ever vote for it.  So it has no real shot of making it to air….unless of course some asshole on the internet realized it’d be funny to try and get people to vote for the worst entries!

I know from all the comments and e-mails I’ve gotten this week that a lot of you are really feeling hurt about the way this contest has played out.  And your feelings are justified.  I know that some of you spent months planning multiple entries and spent hundreds or even thousands of dollars on your submissions.  And you did this because until now, only entries that were actually TV-QUALITY had a shot of winning this competition.  So to see an entry like “Zero Calories, Pshh!” make the finals and then read an article like this one where the director reveals that he literally shot and edited the ad in just 2 hours is a major bummer.  Doritos and Pepsi let filmmakers waste their time, money and talent and so those filmmakers have the right to feel a little disgruntled.

Last month, roughly 10,000 people visited this website because they were interested in the Crash the Super Bowl contest.  January is only 5 days old and we’ve already had almost 5,000 unique visitors this month.  People are coming here because they are upset about the choices that Pepsi and Doritos made and they literally had no place else to go to vent their frustrations.  I cannot tell you how many e-mails and comments I’ve gotten that said “thank you for letting me know I’m not crazy and that some of these choices are just not good.”

So in all seriousness, if you want to let the folks at Fritolay know that they made some bad decisions, you’re going to have to prove it to them.  And the way you prove it to them is by voting the weakest entries onto the Super Bowl where they will crash and burn on the Ad Meter Poll.  I don’t know about you but I think it’d be hilarious if we could actually get “Elevator Girl” to play for 100 million people.  And I think it’s do-able.  As I just mentioned, many thousands of people are going to see this post and most of them already are registered at CrashtheSuperbowl.com.  Voting in this contest is incredibly easy.  It will take you 10 seconds and you can vote for one Pepsi Max entry and one Doritos entry per day.  There are still 26 days left in the voting.  So let’s help Pepsi Max and Doritos get what they apparently want by voting for the worst of this year’s 10 Crash the Super Bowl finalists.  Click the “Adam & Eve” and “Elevator Girl” images above to vote for those ads or follow this link:  http://www.crashthesuperbowl.com.

And if you’re one of the people who worked on these two ads, all I can say is this is nothing personal.  I can’t fault you one bit for winning this contest.  As one reader said in a comment, you won the lotto in a contest that was supposed to be based on skill.  So just sit back and enjoy the ride.  You do want your ad to air during the big game, don’t you?  Well great!  Then let us try and make that happen for you!

Dueling Caskets (full of Doritos!)

Image from one of Doritos' Crash the Super Bowl winners; Casket

Image from one of Doritos' Crash the Super Bowl winners; Casket

Back in October, I wrote, directed and edited an entry for Doritos’ annual Crash the Superbowl contest entitled, “Rest in Chips.”  My commercial was about a dead guy who’s last wish was to be buried in a casket full of Doritos but to the surprise of everyone at his funeral, it turns out he faked his death and is alive inside the casket of chips that eventually gets knocked over.  Sound familiar?  It might if you watched the Super Bowl last night.  Because during the first quarter of the big game, Doritos aired the three winners of the Crash the Super Bowl contest and the third winning ad they showed just happened to be about a dead guy who’s last wish was to be buried in a casket full of Doritos but to the surprise of everyone at his funeral, it turns out he faked his death and is alive inside the casket of chips that eventually gets knocked over!

Unfortunately, it wasn’t MY fake-funeral/Casket-full-of-Doritos-that-gets-knocked-over entry.  It was another entry called “Casket” and it was created by a team of filmmakers from a “non-denominational megachurch” in LA called Mosaic that’s popular with aspiring filmmakers and actors. The church is headed by a well known author, producer and self-professed leader named Erwin Mcmanus and he funded the production of “Casket.”  (you can read about Mosaic and their Crash the Superbowl aspirations here)  Here’s their ad:

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I’m sorry to say it but I suspect that the team that made “Casket” may have stolen several of their ideas from me.  How can that be?  Well first, here is the entry that I created for the Crash the Super Bowl contest, “Rest in Chips:”

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Sure, they’re not on the same level technically, but there are so many similarities between the stories of “Casket” and “Rest in Chips” that I’ve had a hard time accepting that they’re just coincidences.  If you ignore the aesthetic differences between the two entries (camera quality, location, music) you’ll see that they share many common key elements.  (The kind of stuff you’d see in the scripts for each spot)  Really, the only significant difference in the two stories is WHY the two “dead” guys each decide to fake their deaths.  Other than that, in just 30 seconds, both ads manage to feature:

1. A dead man’s last wish to be buried in a casket full of Doritos

2. A “dead” man who turns out to actually be alive

3. A fake funeral orchestrated by the “dead” man as part of a nefarious scheme

4. A framed photo of the “dead” guy enjoying a bag of Doritos next to the casket

5. Shots of that guy in his casket buried up to his face in chips

6. Unsuspecting mourners who scream/gasp in surprise when the hoax is revealed

7. A climax in which the “dead” guy gets his comeuppance when the casket of chips is knocked over

That’s a lot for just 30 seconds, isn’t it!?  Well, the coincidences don’t stop there.  As it turns out, all of those elements can also be found in this crude animated storyboard that I made weeks before I went out and shot my entry:

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Yeah…see where I’m going with this?  I created that storyboard as a test to see if I could fit all the dialogue and action into 30 seconds.  Then I posted it to youtube so that I could send the link to friends so they could give feedback on the idea.  The above version was posted to youtube on October 12th, 2009.  But that is actually the second version.  I posted the first version of the storyboard video on October 6th and named it “Doritos Storyboard.”  After about a week, a friend actually said to me, “aren’t you worried that another contestant could see that and steal your idea?”  I realized he was right and that I had made a dumb mistake.  Because the video was named “Doritos Storyboard,” any prospective Crash the Superbowl contestant who went to youtube to watch last year’s winning entries or other Doritos-related videos for inspiration could have seen my storyboard.  In fact, it would have appeared at the top of the page if the results were “sorted by date.”  So I pulled the original version and replaced it with the generically named “Dortest” version around October 12th.

The funeral photo used in "Casket"

The funeral photo used in "Casket"

A week or so after the submission period for the Crash the Superbowl contest closed, I saw “Casket” and I was flabbergasted.  I remembered the storyboard on youtube and immediately suspected that I had been ripped off.  I had to do something about it so I did what any self-respecting dork would do.  I blogged about it. I first compared the two ads in this blog post from November 19thA Tale of Two Caskets (full of Doritos.) Since “Casket” was so slickly produced, I was worried right from the start that it might make it to the finals.  So while Doritos was still evaluating all 4,000+ entries they received, I e-mailed them my concerns on December 9th.  They responded to my e-mail and said the company’s “legal team” would look into it.

Since the official rules said that Doritos judges were supposed to assign each entry a score, and since 40% of that score was supposed to be based on “originality and creativity,” I assumed that even if there wasn’t plagiarism, I uploaded my casket-full-of-doritos entry to the contest site first, so logically, that would impact “Casket’s” originality score.  And in a competition with 4,000+ submissions, the Top 6 videos would probably be decided by just fractions of a point.  So losing even a few originality points would end an entry’s chances of winning, right?

Boy was I wrong about that one.  On January 5th, 2010, “Casket” was announced as one of Doritos’ 6 CTSB finalists.  And man, let me tell you, I flipped the F%^& out.  I wasn’t just mad because a team of filmmakers that may have ripped me off had just won $25,000 and a trip to the Super Bowl, though.  In a way, I was much more upset with Doritos.  They knew that somewhere out there a filmmaker suspected that the “Casket” team had plagiarized his entry/storyboard.  There were tons and tons of awesome videos submitted to this year’s competition. Why did they have to pick the one video that they knew would drive some poor guy crazy and maybe even get them into legal trouble!?

The funeral photo used in "Rest in Chips"

The funeral photo used in "Rest in Chips"

A single question has been on my mind since I first saw “Casket” back in November.  “When did they come up with that idea?”  Obviously the entry was a very elaborate production.  Maybe they had spent months working on the thing.  If it turned out that the team came up with the concept for their entry prior to say, the start of October, then there was no chance they could have stolen the concept from me….unless they were mind readers.

I’m not insane and I’m not some jerk who likes ruining other people’s moments of glory.  I absolutely, positively do not want to paint anyone as plagiarists if they’re totally innocent.  I also really do not want to put my life on hold while I engage in a copyright battle with a megachurch and a multinational corporation if I don’t have to.  In the last few weeks I have exchanged many e-mails with FritoLay and the lawyer for the “Casket” team (yes…they already got a lawyer and it seems like he was hired just to deal with this issue.) I have asked them over and over and over and over to PLEASE, send me some kind of documents, materials or other proof that “Casket” was an independent creation that wasn’t wrongfully derived from my works.  My sincere hope has been that someone would want to provide me some kind of evidence that would put me, and my family and friends who support me, at ease.  I would have been happy just to see some copies of some e-mails that showed that their idea pre-dated the creation of my script for “Rest in Chips.”  If they could prove they were innocent, or even just offer a credible explanation, then I could apologize, drop the whole thing and move on with my life.

The beautifully drawn funeral photo from the storyboard video for "Rest in Chips"

The beautifully drawn funeral photo from the storyboard video for "Rest in Chips"

But even though the filmmakers behind “Casket” have known for weeks, and probably even months that some crackpot out in the suburbs of Chicago was accusing them of plagiarism they have not done one thing to counter my claims.  I have asked repeatedly for some shred of proof that they weren’t guilty of ripping me off.  But according to their lawyer, they don’t want to give me ammunition in case I sue them.

Let’s cut the BS here.  If there was some A%&hole running around the Internet, endangering my commercial’s chances of airing during the Superbowl and telling Doritos and the rest of the world that I might have stolen some of their ideas, you know what I’d do?  I’d shut that guy down immediately with a big facefull of proof.  I’d e-mail the guy and tell him he was full of s%^&.  I’d write my own blog posts and fill them with proof that my works were independent creations.  For God’s sakes, I’d offer to take a lie detector test if the guy wanted me to!  I would immediately do whatever it took to shut down a false accusation of plagiarism against me.

Now what I wouldn’t do is hire a lawyer if I had nothing to hide and I certainly wouldn’t keep my “proof” hidden from the world.  I think the thing that most makes me believe that I was ripped off is the fact that none of these people have ever contacted me to simply say “You’re wrong, and here’s why….”

The other thing that makes me think I was ripped off are the cold, hard, dirty facts.

Alive in a casket full of Doritos.  From "Casket"

Alive in a casket full of Doritos. From "Casket"

Here are my facts:  I wrote my script for “Rest in Chips” around October 1st.  I created an awesome-looking animated storyboard based on my script and first uploaded it to youtube on October 6th. That video could have been seen by anyone searching for Doritos-related videos up until about October 12th.  I shot my entry on October 25th, I posted my first rough cut to the web on October 28th and I uploaded my final entry to the Crash the Super Bowl contest site around November 5th.

Because Doritos and the Mosaic team would not even tell me WHEN the idea for “Casket” was born, I decided to do some digging myself.  And by “digging” I mean I just read the articles that showed up in my google alert notices.  The information below all comes from interview quotes from members of the “Casket” team.  These are my sources (1) (2) (3) (4)  Here’s what I’ve learned in the last few weeks:

1.  The idea for “Casket” was first suggested in a Mosaic pitch meeting that seems to have taken place in early October, probably around October 9th.

2.  The idea for “Casket” was pitched by one member of the group.  The group decided to shoot the idea and the person who suggested the idea then “wrote the original script.”

3. At least 4 other people are credited as having co-written or contributed to the script for “Casket.”

4. “Casket” was shot in one day on November 1st and the entry was uploaded just before the deadline on November 9th.

Alive in a Casket full of Doritos. From "Rest in Chips"

Alive in a Casket full of Doritos. "Rest in Chips"

As I said, members of the “Casket” team shared all of this information during interviews so unless they all lied to several reporters, the above points are facts.  And these facts line up perfectly with my theory of how I may have been plagiarized.  FritoLay has had a timeline of when I created the various incarnations of my Crash the Superbowl entry since mid-December.  I explained weeks ago that I wrote my script shortly after the Crash the Superbowl contest began and then created an animated storyboard version of my script and uploaded it to youtube on October 6th.

For roughly a week, the storyboard was on youtube and could be seen by anyone doing a search for videos tagged “Doritos.”  The “Casket” team has gone on record stating that from the day they decided to shoot an entry for this contest to the day they uploaded their video, only a month had gone by.  That means that their pitch meting seems to have happened right at the time my storyboard was visible on youtube.

Alive in a casket full of Doritos. From the video storyboard for "Rest in Chips"

Alive in a casket full of Doritos. From the video storyboard for "Rest in Chips"

I find it very hard to believe that not one member of a large, well-organized team of professional filmmakers went to youtube before their pitch session to research last year’s winning entries and watch other Doritos related videos.  I have known about the Mosaic pitch meeting for a while and my theory has been that one member of the team prepared for that pitch meeting by doing some Doritos research on youtube beforehand.  While there, they saw my storyboard, realized the idea would work great in one of Mosaic’s churches (I think they have 7 total) and probably figured that the concept was fair game and took it.  Now that I know when that pitch meeting took place, I suspect that my theory accurately describes how things happened.  And since it seems that as many as 5 people contributed to the story of “Casket,” that explains the differences between my works and the final version of the other team’s entry.

The goal of Doritos’ Crash the Superbowl contest was for the winners to score a spot in the “Top 3” on the USA Today ad meter.  If one of the Doritos finalists were to be ranked the best spot of the game, the creators would get a million bucks.  Second best would get the filmmakers $600K and 3rd would get them $400K.  The ad meter results are in and one Doritos ad actually scored the #2 spot.  But “Casket” wound up being ranked #14.  (click here for the full ad meter results)

I mention this because I want everyone reading this to understand that there is no big jackpot that I am trying to grab a piece of here.  All the makers of “Casket” got was $25,000 and I’m sure that money is already divided up and gone.  So my concerns aren’t part of some crass sue-a-church-and-get-rich-quick scheme.  For me, this is about principle and as I’ve told the lawyers at Doritos many times, my number one goal is simply to find out the truth about what the heck happened here.

Now that the contest is all over, I really don’t know what I should do next.  Should I get a lawyer?  Should I seal myself up in a casket full of Doritos and pretend this never happened?  What the heck is the little guy supposed to do in this country when he suspects that some giant megachurch with deep pockets and lawyers on retainer infringed on his copyrights?

Right now, the only thing I know for sure is that next year, I’m entering Careerbuilder’s Super Bowl commercial contest.

BTW:  I normally post under the pseudonym “Beardy” but here’s info about the real me.  Ironically, I do not actually have a beard.  If anyone (even a member of the “Casket” team) wants to contact me I can be reached at Videocontestnews@gmail.com.

Crash the Super Bowl winners + Ad Meter results!

Super Bowl XLIV just ended and that means that the 2010 installment of Doritos’ Crash the Super Bowl contest is finally over too. All three winning commercials aired in the first quarter but SURPRISE!…Doritos snuck one more Crash the Superbowl finalist in during the 4th quarter. And holy crap, the USA Today Ad Meter results have just come in and SURPRISE again! One of the Crash the Superbowl ads cracked the top 3! I’ll post all the numbers below but first here are the official winners in the order they ran. From what I’ve read, the order that the commercials aired reflect which entries got the most, second most and third most votes last month.

1. Underdog. Created by Nick Dimondi/Joshua Svoboda

2. House Rules. Created by Joelle de Jesus

3. Casket. Created by Kevin T. Willson

SURPRISE BONUS AD. Snack Attack Samurai. Created by Ben Krueger

A few days ago I explained here and here that it looked like Doritos had already revealed the names of the Crash the Super Bowl entries that were going to air tonight. The finalist entries that were publicly identified as destined for air last week were Snack Attack Samurai, Kids These Days and Casket. Looks like those predictions were off by one. But hey, way back in December, before the finalists were even announced, we predicted in this post that “Underdog” would go all the way this year. So hurray for us!

UPDATE: Oh snap!!!! The Ad Meter results are in and UNDERDOG was rated the second best commercial of the entire game right after the Betty White/Snickers spot! That means the makers of Underdog, 5 Points Productions will be receiving a $600,000 bonus from Doritos. As for the other three Crash the Super Bowl entries that aired tonight….well, they didn’t fare so well. None of them even cracked the top 10. Here are the numbers.

1. Underdog. Ad Meter Score: 8.27. Ad Meter Rank: #2

2. House Rules. Ad Meter Score: 7.12. Ad Meter Rank: #11

3. Casket. Ad Meter Score: 7.00. Ad Meter Rank: #14

4. Snack Attack Samurai. Ad Meter Score: 6.79. Rank: #17

Now even though none of the other ads made the top 3, the scores are still quite impressive. After all, there were 60 commercials ranked by the ad meter. Plus since Snack Attack Samurai aired so late in the game I bet its score suffered because the focus groups in the Ad Meter polling were probably a little burnt out by then. You can see the full list of ad meter results here: USA Today Ad Meter.

So what did we learn tonight? Well, we learned that Beardy is a genius! We totally called this one. Over the last few weeks we’ve repeatedly claimed that “Underdog” was going to make it to the top three and not only that, we predicted that it was the only one of the six finalists that had a chance of doing so.

Seriously though, now that the dust is settling it’s clear that the big winner of the 2010 installment of the CTSB contest is 5 Points Productions. Though the Crash the Super Bowl contest has only been run three times, that plucky team of filmmakers from North Carolina have now won the competition TWICE! The 5 Points entry “Live the Flavor” won the first installment of the CTSB contest and aired during the 2007 Super Bowl. Now their entry “Underdog” has also came out on top. Plus they were the first filmmakers ever to get TWO entries in the finals in one year!!  (The other was Kids These Days)  That’s three unbelievable achievements so it looks like Doritos should get ready to crown them as the new, “Kings of the Crash.”  They’ve earned it.

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